Gramophone, Film, Typewriter. FRIEDRICH KITTLER translated by DOROTHEA VON MUCKE with the assistance of. SIMILON. Optical fiber networks. But does Kittler claim that writing is more symbolic than photographs, gramophones, computers? “the body, which did not cease not to write itself, left strangely. Gramophone, Film, Typewriter has ratings and 19 reviews. Maria said: Ενα βιβλιο για την εξέλιξη των μέσων ; ναι περίπου, αλλα οχι ακριβως. Ενα βιβλ.
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The excellent translation by Geoffrey-Winthrop Young and Michael Wutz is highly readable no awkward Germanisms and is preceded by a thorough and incisive introduction. Despite the title, Kittler refers to descendants of Edison’s invention as phonographs, neglecting the relation of Edison’s term to its prior use for shorthand techniques.
Lists with This Book. If you want to read something about media theory that is not stupid cough, cough, neil postman, cough check this out. This is not something you want to read all in one gulp.
InKittler received his doctorate in philosophy after a thesis on the poet Conrad Ferdinand Meyer.
AND the other compelling things are the colorful fictions and historical anecdotes he uses sometimes reprinting them wholesale within the text to illustrate this or that kittker. Kittler is influential in the new approach to media theory that grew popular starting in the s Kittler’s central project is to “prove to the human sciences [ Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data.
Among Kittler’s theses was his tendency to argue, with a mixture of polemicism, apocalypticism, erudition, and humor, that technological conditions were closely bound up with epistemology and ontology itself.
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More in History—Intellectual and Cultural. This book is undeniably interesting, but also undeniably dense. If you are a seller for this product, would you like to suggest updates through seller support? Dec 10, Troy rated it it was ok Shelves: The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.
Kittler is in between philosophy, the history of music, computer science, and media theory.
Friedrich Kittler is influential in the new approach to media theory that grew popular starting in the s, new media German: Without war, we wouldn’t have leisure. The sound recording, filmstrip, and keyboard, as Kittler’s technologies may be more generally defined, changed the language of perception.
This page was last edited on 30 Decemberat Fred, I think you might be a little nuts. Kittler mixes source material from a wide array of fields to make his points, one of which is the discontinuity of technological development. Ben rated it really liked it Mar 08, Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses ggamophone these media—including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators— Gramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan.
Gramophone, Film, Typewriter Writing science. Mike Hayden rated it it was amazing Nov 23, Gramaphone, Film, and Kittlfr is a stunning achievement. This book belongs on any reading list in media studies, and should be essential for anyone interested in the intersections of comparative literature, literary theory, and media studies.
Toward a Philosophy of Elemental Media. And so he describes the cultural environments in which the recording of sound, vision, and words took place between the s and s.
Gramophone, Film, Typewriter – Friedrich A. Kittler – Google Books
Buy the selected items together This item: Similar assertions will be found in the other chapters. The entire question of referentiality had to be recast in light of these new media technologies; in addition, the use of the typewriter changed the gramiphone of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers.
I’d like to read this book on Kindle Don’t have a Kindle? The translators have done a fine job of rendering the complexity of the author’s sentences into English. Kittler pick up the Gravity’s Rainbow Readers Guidegrakophone the source text, and quote that?
Project MUSE – Gramophone, Film, Typewriter (review)
See all 3 reviews. Kittler sees an autonomy in technology and therefore disagrees with Marshall McLuhan’s reading of the media as “extensions of man”: He invoked this doctrine on his deathbed in Retrieved from ” https: Sure, we can all relate gramopohne the fact that no one memorizes phone numbers anymore – our phones themselves are surrogate memories – but that doesn’t make the technology valueless. Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data.
Gramohone Rapids Fun stories for kids on the go. This book belongs on any reading list in media studies, and should be essential for anyone interested in the intersections of comparative literature, literary theory, and media studies. Jan 23, Thara rated it liked it. To ask other readers questions about Gramophone, Film, Typewriterplease sign up.
In lieu of an abstract, here is a brief excerpt of the content: Analysis [End Page ] of these short stories, poems, gramohone, memoirs, articles, commentaries, and the attendant discourses lets him argue for the technological determinism of culture, if not history.